Both combine dynamics processing and equalization. Superficially, dynamic EQ may seem like multiband dynamics. Another example is attenuating excessively loud cymbals if they exceed a threshold. The stronger the ess sound, the greater the attenuation. When they do, the dynamic EQ cuts the response in that range. High-frequency “ess” sounds aren’t processed unless they exceed a threshold. The higher the audio level is compared to the threshold, the greater the amount of boost or cut.ĭe-essing is a basic example of dynamic EQ. However, the boosting or cutting doesn’t occur until the audio in that frequency range crosses over a threshold. This is useful with standard EQ, but is particularly useful with dynamic EQ.ĭynamic EQ boosts or cuts over a specific frequency range, like standard EQ. ![]() Another addition is solo buttons for individual bands. It now incorporates dynamic EQ, effectively but unobtrusively-if you want, you can treat EQ 3 just like you did EQ 2. The perfect signature sound for your next track is right around the corner.Studio One’s Pro EQ 3 represents a major evolution to the Pro EQ. After completing this Presence XT video course, you'll be more than comfortable with its many impressive features and well on your way to twisting, mangling, and reimagining its countless sounds into something wholly new and unique! Check out the Presence XT video descriptions for additional information on what's covered in these video lessons. If you haven't yet worked with Presence XT, you're missing out on a powerful, diverse sonic tool. The course closes out with four sound design demonstrations so you can hear it at work: rhythmic pad, percussive synth bass, kustom keys, and expressive lead. Other topics covered include sample playback and global parameters (influencing how the samples are played), modulation routings (how one modulation source parameter affects another parameter, for example), effects (including the Gater module), key switches (for triggering sound variations within the instruments), and more. This is followed by a look at the amp envelope, where you'll discover how to affect the ADSR (attack, decay, sustain, and release) parameters to control the note's velocity curve. Then check out Envelope 2, the filter envelope, and see how it can be used to further shape the sound within the time scale of each note. ![]() Next, explore the multimode filter and learn how to create timbral variations using different filter types and slopes. After that, the fun begins, and you'll discover how to work with various LFO shapes, which you can assign by way of the modulation matrix to different destinations. Then he gives you a tour of the interface and provides some alternative methods of loading presets. These videos are for new users of Presence XT.Įli starts off by providing a brief overview of what he'll be covering in the course as well as demonstrating how to load the presets, multi instruments, and a track preset. You'll learn how to load samples, presets, and multi instruments, work with different LFO shapes as modulatory sources, use various filters to help shape the sound, and much more. ![]() In this comprehensive Presence XT video course, Eli will teach you how to get the most out of this plugin's impressive list of features. Join DAW expert Eli Krantzberg for a comprehensive look at Presence XT, the powerful sample player that's included with Presonus Studio One.
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